Practice Makes Passable: Resumes and Work Samples #2
This is the second in a series of posts documenting my evolution as a designer through the lens of resumes and work samples. If you missed the first one, you can find it here.
RESUME 3 - FOR WORK:
So in my last Practice Makes Passable post, remember the disclaimer I attached to my first resumes - "...I didn't spend a lot of time or energy...they didn't represent me to any prospective employers..." Right? Well, that was all said in truth, but also to amplify our appreciation of this sample. In contrast to the first, this one does represent some time and energy; it was created specifically for a prospective employer, and I think it's far worse than the first two. I'm not sure what the fonts are, or why "SKILLS" isn’t the same as everything else. I'm also not sure why it's so so terrible.
As before, I have no record of grades or criticism. The only thing I can offer by way of feedback is that I did not get the job.
RESUME 4 - FOR WORK:
This one actually got me a job - my first internship. I remember thinking it was good at the time, although the first time I printed it out the size of the type really caught me off guard. I'd grown used to looking at it on a computer screen, and it didn't look good on a real sheet of paper print often. In spite of this realization, I proceeded to hand them out at Auburn's internship fair, an annual gathering of 70-100 firms from all over the country. In addition to the cartoon layout and type sizes, this resume suffers from bad/excessive_use_of_underscore and bad use | of | the | pipe. But the work samples...
I had a couple dozen interviews at the internship fair, and two of them went particularly well: a firm in Huntsville (my home town) made me an offer, and a firm in Memphis requested some work samples and maybe a follow-up. I'd never done work samples before and so after the interviews, I scrambled to put something together. The results are above, and man are they lousy. As lousy as they are though, they're hard to critique; all I can think of to say is "No, no, no, no, no, no...Wrong. No. Bad. That's bad. Yeah. No, don't sent that. Don't. No." I just can't figure out what I was thinking. Part of the idea was to have one page each for architecture models, architecture drawings, and urban design work. I don't know what the deal was with the black, gray, and white backgrounds. BAD, BAD, BAD.
I sent the work samples and never heard back from the firm in Memphis, which was okay. I couldn't afford to go to Memphis anyway. I took the job in Huntsville and stayed with my folks for free. But most importantly, I consider this a very valuable humiliation. If I hadn't done these bad work samples then, I probably would have done them later, and that would have been a lot worse. My advice is to start failing as early as possible. Young failures come off as adventurous, ambitious, and endearing; old failures are just sad because, after all, they should know better by now, shouldn't they?
In spite of it's shortcomings, I kept this resume around for a couple of years. There were minor changes, but most of my energy went into trying to figure out how to do work samples and portfolios. Someday soon I'm going to post the evolution of my portfolio designs.